Harold Joe Waldrum
Biography
Born in 1934 in Savoy, Texas, Harold Joe Waldrum moved to Tesuque, New Mexico in 1970 to become a full time painter, after graduating from Fort Hays State College with a master’s degree in studio art. Prior, he worked as an art and music teacher for over a decade in the Kansas public school system.
The focal point of Waldrum’s work became the adobe churches of Northern New Mexico. With a profound sense of color, he captured architectural details in an abstracted and minimal fashion. His “window series” focused on the interaction of color and form, and he pursued this rectangular composition for 10 years. His process involved photographing the interiors and exteriors of churches with a Polaroid camera, in order to capture light and shadow for reproduction. Waldrum’s photographs are held in the archives of the New Mexico History Museum.
Waldrum fled New Mexico in 1976, after a year of living in the Penitente village of Gusano, following a dispute that resulted in his shooting and killing a young man in self-defense. After this incident, his studio was burned to the ground by local residents. During this period, after escaping to Texas and Mexico, he took up residence in New York, returning to New Mexico in the summers to paint. In 1979 he relocated to Taos, New Mexico and began working in the former studio of Taos art colony founder Joseph Henry Sharp.
With the goal to preserve the churches that he had spent much of his painting career capturing, he established the El Valle Foundation, to raise consciousness and funds for the most endangered historical structures in Northern New Mexico.
In the later years of his career, he established the RioBravoFineArt Gallery in 1997 in Truth or Consequences, New Mexico, where he lived until his passing in 2003. The building was a former Ace Hardware store, which he purchased through trading some of his paintings and prints. The exhibition space was also a working studio, and it is still in operation today.
Sources:
Santa Fe New Mexican, “Against the grain: The Art of Harold Joe Waldrum”
haroldjoewaldrum.com
Schools of Study
Western State College
Fort Hays State College
Partial List of Collections
Palm Springs Art Museum, CA
Albuquerque Museum, NM
Museum of New Mexico
The Harwood Museum, NM
Selected Exhibitions
“A Passionate Light”, The Albuquerque Museum, 2011
“Las Sombras” Tucson Museum of Art, 2019
Museum Barberini, Potsdam, DE 2017
Tally Richards Gallery
Gerald Peters Gallery
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Harold Joe WaldrumLa iglesia de Arroyo Hondo, c. 1984Oil on canvas36 x 36 inches
91.4 x 91.4 cmSigned on reverse with nth written under signature mark -
Harold Joe WaldrumTres Contrafuertes de la morada, 1993reduction linoleum cut / linocutplate size 9 x 9" paper size 14.5 x 14.5"57 of 60
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Harold Joe WaldrumLa reflexión, 2000etching, aquatint, ink on paper17 x 17 inches
43.2 x 43.2 cm31 of 68edition lower left corner, signature lower right -
Harold Joe WaldrumLa Sombra de la Ventana Hacia el Oeste de la Capilla de San Antonio de Chacon, 1998etching, aquatint, ink on paper16 ⅞ x 16 ¾ inches
42.9 x 42.4 cm27 of 63Edition lower left corner, signature lower right -
Harold Joe WaldrumPassion Del Sol En Estio, C. 1980slinocut23 3/4 x 23 1/2 in.
(60.3 x 59.7 cm.), sheet: 30 x 30 in. (76.2 x 76.2 cm.),
frame: 36 x 36 x 1 3/8 in. (91.4 x 91.4 x 3.5 cm.)30 of 71 -
Harold Joe WaldrumLa iglesia abandonada / The Lost Church, 1993linocut ed. 14/429 x 9 inches14 of 42signed
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Harold Joe WaldrumAbiquiu, 1984-1986Aquatint etching on paper11 ¾ x 11 ¾ inches
29.8 x 29.8 cm -
Harold Joe WaldrumBlack House T-12, 1980oil on canvas, triptych64 x 21 ½ inches
162.6 x 54.6 cmSigned and dated on the reverse -
Harold Joe WaldrumCasa Ceruleo, 1980Acrylic on canvas37 ¼ x 35 ¼ inches
94.6 x 89.5 cm -
Harold Joe WaldrumPewter Cordova, 1979oil on canvas28 x 24 inches
71.1 x 61 cm -
Harold Joe WaldrumSan Juan, 1975Acrylic on canvas60 x 54 inches
152.4 x 137.2 cm -
Harold Joe WaldrumUna Ventana des Truchas con Cortina Roja, 1981Acrylic on linen canvas43 x 55 inches
109.2 x 139.7 cm -
Harold Joe WaldrumRanchos en la Mañana, 1992etching, aquatint, ink on paper15 x 15 inches
38.1 x 38.1 cm
Framing: 27 ½ x 27 ½ inches
Framing: 69.8 x 69.8 cm31 of 50Sold -
Harold Joe WaldrumRanchos en la Mañana, 1992etching, aquatint, ink on paper15 x 15 inches
38.1 x 38.1 cm
Framing: 27 ½ x 27 ½ inches
Framing: 69.8 x 69.8 cm21 of 50 -
Harold Joe WaldrumSabado De Gloria, 2000etching, aquatint, ink on paper16 ¾ x 16 ½ inches
42.5 x 41.9 cm
Framing: 27 ½ x 27 ½ inches
Framing: 69.8 x 69.8 cm16 of 63Edition lower left, signature lower rightSold -
Harold Joe WaldrumLa iglesia abandonada / The Lost Church, 1993linocut ed. 32/429 x 9 inches32 of 42signed
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Harold Joe WaldrumRanchos De Taos, 1984-1985Aquatint etching on paper11 ¾ x 11 ¾ inchesSold
29.8 x 29.8 cm -
Harold Joe WaldrumRanchos Church II, ca. 1980SX-70 polaroid3 x 3 inchesSold
7.6 x 7.6 cm -
Harold Joe WaldrumRanchos Church I, ca. 1980SX-70 polaroid3 x 3 inchesSold
7.6 x 7.6 cm
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2024 Holiday Exhibition
23 Nov 2024 - 11 Jan 2025Artist on View: Larry Bell Emil Bisttram (1895-1976) Peter Chinni (1928-2019) Ronald Davis Daisuke Kiyomiya TJ Mabrey Beatrice Mandelman (1912-1998) America Martin Ron Lopez Dean Pulver Louis Ribak Shaun Richel...Read more -
Discovered Gems, Artwork from the Helene Wurlitzer Collection
27 Nov 2021 - 31 Jan 2022203 Fine Art is pleased to announce a working relationship with The Helene Wurlitzer Foundation of New Mexico in collaboration for an upcoming exhibition of artwork from Helene Wurlitzer's private...Read more