Bob & Bob
Opening Reception: 5 - 7 PM | Friday, July 3
Exhibition Dates: July 3 - August 15, 2026
203 FINE ART is pleased to answer an age-old question: What is the difference between Robert Ellis and Robert Ellis? Aside from a middle initial that distinguishes the two artists (Robert C. Ellis and Robert M. Ellis), these two legendary modernist painters have consistently overlapped. From their use of the GI Bill after WWII, their time at the University of New Mexico, to choosing the small town of Taos as home and building international artistic careers that crossed the same borders, both Bobs have long deserved to have their individual stories shared.
Both initially enamored with the Cubism movement of the early 20th century, the Bobs transformed the fundamentals of the genre to fit their unique perceptions of the world around them. Their transformative journeys with Cubism eventually led both of these artists to one of their first muses— the country of México. Robert M. Ellis pursued his BA at the México City College in México City in search of the same knowledge that shaped Diego Rivera and José Clemente Orozco. Robert C. Ellis lived remotely in the state of Chihuahua with the artistic masters of the Tarahumara Indians. While they both shared a profound love for and inspiration from the diverse cultures of México, the surfaces of their work exemplify distinct differences.
Robert M. Ellis was an academic as well as an artist, having taught at the University of New Mexico for two decades before becoming the Director of the Harwood Museum in 1987. This polished professionalism created a perceptible change in his style, as he became more figurative and direct, as evidenced by his 1970s Studio Bay series, which depicts his studio as an architectural abyss. Robert C. Ellis, solely an artist and a graduate of the University of New Mexico, instead fell further into abstract surrealism. Focusing on luminosity and the quality of light in his compositions, the spiritual world is ever present in his pastel drawings and oil paintings. However, whether ironically or not, by the end of each of the artists’ careers, they had found a home in minimalism.
Mirrored by their names and juxtaposed by their paths, when paired together these two artists symbolize how influential each small decision in our life can become in shaping such dramatically different styles of self-expression. This exhibition serves to share the lifelong importance of two powerful artists and patrons. It is created in partnership with the Robert M. Ellis Art Collection Trust and the Estate of Robert C. Ellis.
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Robert C. Ellis1923-1979Phasm #2, c. 1970soil on linen with collage48 x 60 inches
121.9 x 152.4 cm
Framed 49 x 60.5 inchesCourtesy of 203 Fine ArtCopyright The Artist -
Robert C. Ellis1923-1979Starting With Night, 1972oil on canvas with collageFramed 51 x 61 inches
129.5 x 154.9 cmCourtesy of 203 Fine ArtCopyright The Artist -
Robert M. Ellis1922-2014Spacescape (Yellow), 1959vinyl on masonite (celotex fiber)
48 x 36 inches
122 x 91.5 cmCourtesy of 203 Fine ArtCopyright The Artist -
Robert M. Ellis1922-2014Post Aegean Series No. 37, 2009oil on canvas36 x 48 inches
91.5 cm x 122 cm
Courtesy of 203 Fine ArtCopyright The Artist -
Robert M. Ellis1922-2014Studio Bay, ca. 1970ssigned lower leftlithograph21 ¼ x 26 ½ inches
54 x 67.5 cm10/20Courtesy of 203 Fine ArtCopyright The Artist -
Robert M. Ellis1922-2014Bridging #5, 1957signed lower rightcrystal vinyl acrylic on masonite18.875 x 14 inches
Framed 23.25 x 18.5 inchesCourtesy of 203 Fine ArtCopyright The Artist -
Robert C. Ellis1923-1979Untitled, 1971signed & dated lower rightcolored pencil on paper18 x 9 ½ inches
45.7 x 24.1 cmSoldCourtesy of 203 Fine ArtCopyright The Artist -
Robert M. EllisUntitled (Tree Series), 1962signed verso RMEoil on canvas38 x 48 inches
96.5 x 121.9 cmCourtesy of 203 Fine ArtCopyright The Artist -
Robert C. Ellis1923-1979Untitled (Cave Figures), 1950oil pastels on paper mounted on masonite
22 x 15 inches
55.9 x 38.1 cm
Framed 28 x 21 inches
71.12 x 53.34 cm
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Robert M. Ellis1922-2014View of Taos Mountainlitho CTP16 x 12 inches
40.6 x 30.5 cm -
Robert M. Ellis1922-2014Viaduct, 1957enamel screen paint on paper22 x 31 ½ inches
55.9 x 80 cm
Framed 32 x 41 ½ inches
81.2 x 105.4 cm -
Robert M. Ellis1922-2014Tree Series #23, 1962oil on paper12 x 10 inches
30.5 x 25.4 cm -
Robert M. Ellis1922-2014Man in Nature, 1962oil on paper10 x 13 inches
25.4 x 33 cm -
Robert M. Ellis1922-2014Letters in the Landscape - Ly Scape, 1964oil & collage on canvas30 x 56 inches
76.2 x 142.2 cm -
Robert M. Ellis1922-2014Bay Window - Ranchos Church, 1976graphite & photograph on paper24 x 17 inches
61 x 43.2 cm -
Robert M. Ellis1922-2014Aegean Series XV, 2004graphite & oil on canvas20 x 20 inches
50.8 x 50.8 cm -
Robert C. Ellis1923-1979Warriors, 1953casein on masonite44 x 28 inches
111.8 x 71.1 cm -
Robert C. Ellis1923-1979Noche Larga, 1965woodblock on paper - artist's proof13 x 8 inches
33 x 20.3 cmArtist Proof -
Robert C. Ellis1923-1979Mountains ed. 1/10, 1950wood block on paper12 ½ x 22 inches
31.8 x 55.9 cm -
Robert C. Ellis1923-1979Mar #1, 1960oil pastel on paper14 x 16 inches
35.6 x 40.6 cm -
Robert C. Ellis1923-1979Cuautla No. Twenty, 1963oil on canvas30 x 24 inches
76.2 x 61 cm -
Robert C. Ellis1923-1979Spain No. Eleven, ca. 1970Graphite on paper25 x 18 inches
63.5 x 45.7 cm
Framed 30 x 23 inches
Framed 76.2 x 58.4 cmSoldCourtesy of 203 Fine ArtCopyright The Artist -
Robert C. Ellis1923-1979Paisaje Interceptado , 1958oil on linen36 x 73 ½ inches
91.4 x 186.7 cmCourtesy of 203 Fine ArtCopyright The Artist
